2022 was the year we pretended to return to normal. I saw a relatively “normal” number of movies to my pre-pandemic state, and quite a bit more of them in the theatre compared to 2021. But we remained on the anxious edge of outbreak. I think I expected a clearer line as to when reengaging with
civilization would safe, but in retrospect that was naive.

That said, it was great to be able to attend IFFBoston 2022 in person, and in full, this year. Even better, there were some really good films this year!

If you are interested in the technical guts of these graphs, look here.

The graphs, as well as the list itself, are behind the jump below…

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I think we all hoped 2021 would improve upon 2020, and to a certain degree
it did, but not to the level I think we all hoped.

I did see more movies in 2021 versus 2020, my feature count ticked way up to
121 from 97. This is still behind my normal pace from the before times, but
I was able to muster more attention this year. 121 seems like a pretty
solid number despite the rare theatre experience this year. Hopefully
IFFBoston’s spring festival and the film club can return to something more
normal in 2022.

If you are interested in the technical guts of these graphs, look here.

The graphs, as well as the list itself, are behind the jump below…

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I mean, what is there to say about 2020. It was a real shit year.

When the quarantimes began, I thought I would end up watching a ton of movies, but the opposite occurred. I’m not sure if it was general anxiety/malaise, the lack of the film club/iff forcing functions, or something else, but it just wasn’t happening. The pace seems to be picking up in 2021, but we’ll see how it goes. If I’m able to go to a theatre safely/comfortably in the near future that will certainly change things.

If you are interested in the technical guts of these graphs, look here.

I skipped the minor editorializing about trends and whatnot this year because… well, it’s just all too depressing.

The graphs, as well as the list itself, are behind the jump below…

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As has been the standard over the past few years, the number of features I saw in 2019 was a tick down, at 128 vs 132 in 2018. I had a particularly busy year in 2019, so this isn’t really a surprise for me.. I was on the road for nearly two of the twelve months this year, so I simply had less time for film.

If you are interested in the technical guts of these graphs, look here.

The graphs, as well as the list itself, are behind the jump below…

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I totaled 151 movies this year, but ‘only’ 132 features which was a tick down from the past few years. To be honest, Corinna and I binged all of the Star Wars films (except for Rogue One) within a few days at the end of the year, so that definitely goosed the stats up.

If you are interested in the technical guts of these graphs, look here.

The graphs, as well as the list itself, are behind the jump below…

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Last year I wondered if ~140 features a year was the ‘new normal’, and it appears that is the case, as in 2017 I saw 147 features. That said, it felt like a really good year for cinema.

If you are interested in the technical guts of these graphs, look here.

The graphs, as well as the list itself, are behind the jump below…

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Top Films of 2016 (in Alphabetical Order):

• 10 Cloverfield Lane
• Arrival
• Don’t Think Twice
• The Edge of Seventeen
• The Handmaiden
• Hidden Figures
• High-Rise
• Moonlight
• Rogue One
• Swiss Army Man
• The Witch

Honorable Mention: 

• Tony Robbins: I Am Not Your Guru
• Weiner

Bottom 5 Films of 2016:

• Nocturnal Animals
• Batman v Superman: Dawn of Justice
• Hail, Caesar
• Money Monster
• Evolution (2015)

Most Disappointing:

• Hardcore Henry
• Popstar: Never Stop Never Stopping

Best Reissue:

• Multiple Maniacs

Most Unnecessary Remake/Reworking:

• The Magnificient Seven

Best Movie I Finally Saw: Room

Best Director: The Daniels (Swiss Army Man)

Best Ensemble: Don’t Think Twice

Best Original Screenplay: The Daniels for Swiss Army Man

Best Adapted Screenplay: Amy Jump for High-Rise

Best Cinematography: Chung-hoon Chung for The Handmaiden

Best Soundtrack: Swiss Army Man

Most Memorable Lines:

• Swiss Army Man
  • Hank: If you don’t know Jurassic Park, you don’t know shit.
• High-Rise
  • Laing: You know, Toby, when I was your age, I was always covered in something. Mud, jam, failure… My father never associated himself with anything dirty. Or real.Toby: My father’s up there.Laing: You mean, in heaven?Toby: Heaven isn’t real, stupid.
• The Witch
  • Jonas, Mercy: [singing] Black Phillip, Black Phillip, a crown grows out his head. Black Phillip, Black Phillip, to nanny queen is wed. Jump to the fence post. Running in the stall. Black Phillip, Black Phillip, king of all.

I saw even fewer feature films in 2016, but it was a rather busy year for me. My final total was 141, which was 7 fewer than 2015. The big thing I alluded to last year, that may depress this total, was buying a new house. That happened, so it’s possible that may explain the reduced number. Or, perhaps, I’ve settled into a new normal.

If you are interested in the technical guts of these graphs, look here.

The graphs, as well as the list itself, are behind the jump below…

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I saw fewer films in 2015, but it was a rather busy year for me. My final total was 148, which was 11 fewer than 2014. There are some things conspiring that could depress the total in 2016, but we’ll have to wait and see if that ends up happening.

If you are interested in the technical guts of these graphs, look here.

The graphs, as well as the list itself, are behind the jump below…

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I saw one more film in 2014 than 2013, but strangely, I apparently didn’t see any short film or, more likely, I didn’t record seeing them. With so much short-form video content available online it is difficult to figure out where to ‘draw the line’ in my recordkeeping.

After deciding last year that ~160 features a year was unsustainable, in 2014 I watched 158 159 features, so perhaps it is..

If you are interested in the technical guts of these graphs, look here.

The graphs, as well as the list itself, are behind the jump below…

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