- Top 15 Films of 2013 (in Alphabetical Order)
- Honorable Mention:
- Bottom 4 films of 2013:
- Best Remake/Reworking: Evil Dead (2013)
- This wasn’t necessary, but it was fun and sufficiently different from the original
- Most Unnecessary Remake/Reworking: Oldboy (2013)
- I didn’t actually see this.
- Best Director: Martin Scorcese for The Wolf of Wall Street
- Best Actress: Sandra Bullock in Gravity
- Best Actor: Chiwetel Ejiofor in 12 Years a Slave
- Best Supporting Actress: Lupita Nyong’o in 12 Years a Slave
- Best Supporting Actor: Jonah Hill in The Wolf of Wall Street
- Best Ensemble: American Hustle
- Best Original Screenplay: Spike Jonze for Her
- Best Adapted Screenplay: John Ridley and Solomon Northup for 12 Years a Slave
- Best Cinematography: Phedon Papamichael for Nebraska
- Best Soundtrack: William Butler and Owen Pallett for Her
- Most Alarming Cinematic Trend: Yet more remakes.
- Biggest Disappointment: Elysium
- Best Movie I Finally Saw: Searching for Sugar Man
- Most Memorable Lines:
- This Is The End
- Jonah Hill: Dear God, it’s me, Jonah Hill… from Moneyball.
- Spring Breakers
- Everyone in the movie: SPRAAANNNNGGG BREAAAAAAKKKKK
- The Wolf of Wall Street
- Mark Hanna: (Insert Weird-ass Beat Boxing Here)
- The Wolf of Wall Street
- Jordan Belfort: On a daily basis I consume enough drugs to sedate Manhattan, Long Island, and Queens for a month. I take Quaaludes 10-15 times a day for my “back pain”, Adderall to stay focused, Xanax to take the edge off, pot to mellow me out, cocaine to wake me back up again, and morphine… Well, because it’s awesome.
- This Is The End
- Best Documentary (of all time?): The Act of Killing
- Films I feel guilty for missing:
- Films I don’t feel guilty for missing:
As regular readers know, I keep a list of all of the movies I see each year. Breaking a trend, I saw fewer features (146) than I had in the previous year (160). I don’t really have any insight into this other than a strong suspicion that ~160 isn’t terribly sustainable for me.
I never actually got around to writing my “Best Of” 2012 post… As you may remember, I decided to stop waiting until the Oscars and instead just judge the movies I saw in the calendar year. I may be backtracking on this for 2013. I haven’t made up my mind yet.
This year, You’ll see some pretty graphs that I spent entirely too much time on. If you are interested in the technical guts of these graphs, look here. Luckily, all of the time I spent on writing the code for this year will make posting these graphs in the future a no-brainer. (I might even go back and spruce up the past few years with the new graphs).
The graphs, as well as the list itself, are behind the jump below.Continue reading “The Movies I Saw in 2013”
As regular readers know, I keep a list of all of the movies I see each year. For the second year in a row I saw more feature films (160) than I had in the previous year (155), setting a new benchmark.
I’m planning on putting together my “Best Of” list in a few days. As per my recent policy, I’m basing the list on movies I saw in 2012 (as opposed to waiting until The Oscars). This means I’m missing some movies that came out in late 2012 (I still haven’t seen Django Unchained for instance). Oh well… All of the data porno is after the jumpContinue reading “The Movies I Saw in 2012”
My father rented The Princess Bride and brought it home, announcing that he thought it would be fun to watch as a family. I protested, saying I didn’t want to watch a girls movie, and stayed in my bedroom. After about 25 minutes of hearing my family thoroughly enjoying the film, I sheepishly joined them in the living room.
I don’t remember if I watched the beginning of the movie immediately after the first viewing ended, or if it waited until later, but I definitely remember when I finally did see the beginning and being completely embarrassed yet amused at how my reaction to the title of the film paralleled the character of Fred Savage in the movie.
If it wasn’t such a perfect story I’d probably still find it embarrassing.
I updated the post I wrote a few years ago entitled “Surviving IFFBoston” with some new tips and tweaks for 2012. You can check it out here.
Here is my review of the films I which saw in 2011. In a change from the past few years, this does NOT include movies released in 2011 which I saw in 2012. Which is why The Girl with the Dragon Tattoo doesn’t feature prominently on this list. I know that I am missing some great movies by adopting this strategy. Furthermore, movies that were on last year’s “Best Of” list should also be included on this year’s list (using the new rules) but I decided to omit them than recognize them twice.
While I wouldn’t say that 2011 was a bad year for movies, it wasn’t particularly special. Maybe I just chose poorly… Where in years past I would have to whittle down my list of ‘best’ films, this year it felt like work to simply come up with 10. It’s not that there is an abundance of lowlights, but there weren’t many highlights.
- Top 10 Films of 2011 (in Alphabetical Order):
- Bottom 5 films of 2011 (in Alphabetical Order):
- Best Director: Constance Marks and Philip Shane for Being Elmo
- Best Actress: Lubna Azabal in Incendies
- Best Actor: Michael Fassbender in Shame
- Best Supporting Actress: Mélissa Désormeaux-Poulin in Incendies
- Best Supporting Actor: Shea Whigham in Take Shelter
- Best Inanimate Object: Robert in Rubber
- Best Original Screenplay: Brit Marling and Mike Cahill for Another Earth
- Best Adapted Screenplay: Steven Zaillian and Aaron Sorkin for Moneyball
- Best Cinematography: El Bulli: Cooking in Progress
- Most Alarming Cinematic Trend: Once again, 3D and Fake IMAX.
- Most Memorable Lines:
- Peter Brand: I wanted you to see these player evaluations that you asked me to do.
- Billy Beane: I asked you to do three.
- Peter Brand: Yeah.
- Billy Beane: To evaluate three players.
- Peter Brand: Yeah.
- Billy Beane: How many you’d do?
- Peter Brand: Forty-seven.
- Billy Beane: Okay.
- Peter Brand: Actually, fifty-one. I don’t know why I lied just then.
- The Guard
- Man in wheelchair: Excuse me, I hate to be a bother, but… the way I look at it, this scene makes no sense at all. Not that it was great to begin with, but at least I understood it. Now, this is just uh, totally confusing.
- Best Documentary: Last Days Here
- Guilty Pleasures:
- Films I feel guilty for missing:
- My Week with Marilyn
- Martha Marcy May Marlene
- Films I don’t feel guilty for missing:
- Midnight in Paris
- War Horse
- The Help
Back around 2002, I sat down and began ripping all of my CDs to MP3. I worked on it during my downtime, on nights and weekends when nothing better was going on. It took me about a month to plow through several hundred discs, but I eventually finished. When I temporarily moved from Boston to NJ during my unemployment back in 2003, my CDs were boxed up for the move. They stayed that way. In fact, the boxes were in my parents basement until Corinna and I moved to our house in Watertown back in 2007. Since then they have remained in boxes in our basement.
For many years I continued to buy physical discs, immediately ripping them and placing them on a shelf or in a box. In the past year or two, I have effectively stopped buying CDs, instead opting to use download services such as iTunes, Bleep, Beatport and Amazon’s MP3 store (as well as directly from artists).
Back in 2002, MP3 files of 192Kbps seemed like a pretty reasonable compromise between audio quality and file size. But fast forwarding ten years, hearing the muted high and low end of those 192Kbps files, especially when I have several terabytes of storage in my house, was frustrating. I had thought about re-ripping all of my discs to a higher bit rate, but the task always seemed daunting. My collection of physical discs had ballooned to ~500 discs and it simply felt like it would take forever.
Back in September I was at the All Tomorrow’s Parties “I’ll Be Your Mirror” festival at Asbury Park with some friends. During some between-band chit-chat, I mentioned my regret of choosing 192Kbps and that I was considering finding a service that would re-rip all of them for me. DQ mentioned TaskRabbit, a service which pairs up people willing to do odd jobs (a.k.a. “Rabbits”) with people looking for help. This idea stuck in my head, and a few weekends ago when Corinna and I were doing some basement purging I decided that I would just do it. Some of my CDs were more than 20 years old, and waiting would only increase the chances of bit rot.
I posted my task on TaskRabbit, being as specific as possible. I decided to skip worrying about what the ‘right’ bitrate was and chose Apple Lossless format. A lossless codec cuts the file size in about half without losing any fidelity at all. I figured if I had 500 CDs each around 600MB, than the total size of the re-ripped CDs would be about 150GB, which really isn’t all that much these days. My existing music archive (with my old 192K rips in addition to any music I’ve bought digitally) totaled around 205GB at the time I started this project.
The hardest part of posting this task was trying to pick an upper cost. TaskRabbit asks you what your upper cost is, and then Rabbits bid on the task, TaskRabbit assigning you the one who came in lowest within some time constraints. I figured a reasonable price was $300 plus a maximum of $100 for expenses (I was asking the rabbit to not only rip my CDs, but also discard jewel cases and place them in sleeves that would be purchased by the rabbit).
In almost no time, TaskRabbit mailed me saying that a rabbit successfully bid on my job, and they came in at $255 (+ expenses). I was thrilled, as not only was someone interested in the job, but the whole shebang was going to cost me about 50 cents a disc!
Adam, the rabbit who won the bid, scheduled a time to come by my house to pick up the CDs. He guessed he would be done in about 3 weeks, which seemed reasonable. He swung by on 12/17 to pick everything up and was very professional. After a day or two he sent me a sample ripped file to make sure I was happy with the rip, metadata and file naming. Everything looked great, and so he started up full-steam.
A few days later I was on the train down to NJ for the holidays and wouldn’t be back until New Year’s Eve. While I was off relaxing with my family, Adam was keeping me posted with status updates or questions every few days. He asked what to do with the few live bootlegs that were in my collection. I told him to just set them aside and that I would handle them myself (since no metadata was available for them on CDDB). Soon after I returned to Boston, I heard from Adam that he was almost done and we scheduled a time on 1/8 for him to drop off the finished product. I was thrilled that it only took him 3 weeks, and when he arrived I saw that he took excellent care of everything, and seemingly had no trouble with my pretty specific requirements.
I decided it would be a good idea to do a bit of an inventory, to make sure no discs/rips slipped through the cracks. In doing so I found a 20 or so CDs that I couldn’t find rips for (even though they were organized and put into sleeves). I talked with Adam and he wasn’t sure what happened, but he offered to swing by and pick them up (even though I had already closed out the task and paid him).
Overall, this was a great experience. I now have all of my CDs ripped in a lossless format, and my CDs are organized and taking up much less space than they were before. Surprisingly, only one track on one CD wouldn’t rip due to damage. I guess I take pretty good care of my things. My new music collection is approximately 345GB. Furthermore, using TaskRabbit successfully on a huge task such as this one gives me confidence to use the service in the future for more odd jobs around the house.
Right now I’m trying to find a more permanent storage solution for my CDs, most of which are in sleeves but some of which are still in their original cases. I tried Snap-N-Store cases but they were pretty lousy. The compartments for discs weren’t wide enough, even for my discs with sleeves. I’m currently in the market for a solution to this problem, so if you have any ideas please let me know. I’m looking for something with a lid to keep the dust out.
I have a big post coming up in the next week or so about the re-ripping of all 500 or so of my CDs, but I wanted to share something i found in the process. Back towards the end of my college career I took two trips to the Hooray Area. One was a business trip to NASA Ames’ Research for a team meeting on SOFIA. The other was for a job interview at Be, Inc.
At the time, I owned an early MP3 player which was a portable CD player which could read data CDs filled with MP3s (in addition to old-fashioned CDs). I created two Album-Mix CDs for these trips, and I thought that some of you might get a kick out of the contents…
NASA Lovin’ (embarrassingly, this was actually the title of the mix)
- Talking Heads – Sand in the Vaseline (2 Disc)
- Ennio Morricone – Cinema Concerto
- David Bowie – Outside
- Fight Club Soundtrack
- Fantômas – Amenaza al Mundo
- Naked City
- Orbital – Middle of Nowhere
- Pop Will Eat Itself – Dos Dedos Mis Amigos
- The Sopranos Soundtrack
- U2 – All That You Can’t Leave Behind
- Moby – Songs
- Weezer – Pinkerton
- Bjork – Selmasongs
- Radiohead – Kid A
- Nine Inch Nails – Things Falling Apart
- Talking Heads – More Songs About Buildings and Food
- Talking Heads – Speaking in Tongues
As regular readers know, I keep a list of all of the movies I see each year. I saw more movies this year (160) than each of the past two (147).. I did include a handful of shorts on the list this year, though. This was also the first year I kept track of the date on which I saw each movie, which will allow me to see trends in years moving forward.
My “Best of 2011” list will hopefully be done in the next few days. Unlike the past few years, I’ve decided to do the list now instead of waiting until the Oscars. I found waiting to actually be more stressful, for some reason. Anyway, all the gory details are after the jump…Continue reading “The Movies I Saw in 2011”
My friend, James Izzo, took a nap yesterday from which he did not wake up. I met James at Hopatcong Middle School where we bonded early on via our love of computers. James was one of the few people I knew who also had an Amiga, and we would share software and knowledge regularly. As we grew into young adults and started discovering film and music, our friendship grew stronger.
James and I (along with other friends, of course) exhausted the local video store’s supply of horror films. Once we ran out of those we moved on to more “indie” and “foreign” films. If it wasn’t for my friendship with James there would have been no Fucked Up Movie Night. If it wasn’t for my friendship with James I don’t think I would have become involved with the Sunday Night Film Club. If it wasn’t for my friendship with James I doubt my interest in independent cinema would have been piqued enough to go full-degen at the Independent Film Festival of Boston every year.
James became an electronic musician, starting the band Thread as well as side projects such as The Boy Without Hands. He worked with musicians such as Neotropic and Jarboe. But before all of that James and I discovered electronic music together. My love for artists (electronic and otherwise) such as The Magnetic Fields, Coil, Skinny Puppy, Ministry, Nine Inch Nails, Aphex Twin, Autechre and Squarepusher were all kindled in one way or another in his basement in Hopatcong. Some of those artists I discovered, some he discovered, but we were always very excited to share a ‘new find’ with each other.
Over the past decade I had grown distant from James for a number of reasons. We remained in contact, but it became much more infrequent. The impact of our friendship on my life, however, is immeasurable. I learned to think critically about film and music through discussing it with James. I learned to explore new artists with James. I learned to dig deeper with James. My world just got a little smaller…